randform

Tim has made a new trailer for the Enigame 2021_2 puzzle hunt this fall – the spaced out edition.

You might remember the post “Before and After” which was part of a series of posts, which were documenting the demolishment of a pub/restaurant/dancehall in the Berlin neighbourhood of Biesdorf, which belongs to the Berlin district of Marzahn-Hellersdorf.

The above image shows the train station S-Biesdorf. The former restaurant was located right behind the back of the fotographer. If you look at the post you should be able to assemble the space situation.

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A new video of one of Tims recent music projects (a video about the ladder filter is here). In the video he explains the construction of a spring reverb:

A detailed description on how to build the spring reverb can be found on the astlab page.

A soundtrack on soundcloud of how the spring reverb sounds:

Tim and a bit of his music projects will eventually appear in a new film by film maker Ekaterina Eremenko. That is we had a film team from Moscow here at home. But it is sofar not clear wether the material will be used.

Ekaterina Eremenko, who has also studied math, received recently much attention for her film colours of math (trailer) featuring amongst others the rather well-known mathematicians Cedric Villani, Anatoly Fomenko, Aaditya V. Rangan, Günter Ziegler, Maxim Kontsevitch and Jean-Michel Bismut.

I don’t know if this is a new trend but I found incidentally more recent films where features of the life of mathematicians are documented. Like at the website of the “Higher Algebra section” at Moscow State University I found interviews with V. N. Latyshev talking About academic mathematics (in russian) and about Reminiscences of A. A. Markov (in russian) made by Andrei Verovkin who features a whole series of interviews with scientists.

In this context a short note for those who are in or are planning to go to visit Berlin: There were/are currently music festivals for more modern music taking place in Berlin, which enhance the usual club life or on the more classical level regular events like e.g. the weekly series “Unerhörte Musik im BKA”. One was the Ultraschall Festival and one is the ctm festival, which is in cooperation with the festival for art and digital culture “transmediale”. The transmediale theme of this year is “afterglow:”

The conference takes afterglow as a metaphor for the present condition of digital culture, examining the geopolitical, infrastructural and bodily consequences of the excessive digitisation that has taken place over the course of the last three decades.

A sort of brief follow-up to the last two posts about simulations. Here a link to Tim’s simulation of a critter under the couch.

Tim’s song “time” has now a video on youtube.
Bye the way the former cinema (“Kino Sojus“) you see there is – as what I read in the newspapers – currently intendead by the authorities to be turned into a shopping mall.
It was closed about 4 years ago.

foto by fotonotof

Short notice: as published in one of the current gazettes (2010-04-20) of the US Trade mark office the company Disney had filed an application for the name “snow white” (if I understood correctly ?) for:

Production, presentation, distribution, and rental of motion picture films; production, presentation, distribution, and rental of television and radio programs; production, presentation, and rental of sound and visual recordings; production of entertainment shows and interactive programs for distribution via audio and visual media, and electronic means; production and provision of entertainment in the nature of shows, current events news, and entertainment information via communication and computer networks; amusement park and theme park services; educational and entertainment services rendered in or relating to theme parks, namely, live stage shows, live amusement park shows, live performances by costumed characters, and presentation of live theatrical performances; presentation of live stage shows; presentation of live show performances; entertainment in the nature of theater productions; entertainer services, namely, live appearances by a professional entertainer

In the image above it looks as if a boat ferries across to Isola di San Michele. However what you see there it is just Isola di San Giorgio Maggiore. Nevertheless in Venice you may still feel as if Tadzio from the famous film may lurk around the corner any next moment.

Below I make a little advertisement for Piazza San Marco and in particular St. Mark’s Basilica since there are yet not enough tourists there…;)

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The video behind the link shows how to play drums and piano without knowing how to play drums or piano – really. It’s just time line editing: stop motion drums and piano.

Since I don’t have a mobile phone blogging tool or even a laptop I couldn’t life blog from the NMI conference at the academy of sciences. So here comes a little summary about the topics and speakers of last Wednesday.

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update 22.02.2011: the above image is a mashup of a photoshopped poster for the below referenced film starring at theatre Houdin from an unknown author and some fotoshopped rainbow colors from some astrophysics film.

In 1896 Georges Méliès produced with “Le manoir du diable” the first horror movie in film history. And even more this 2 minute stop-motion special effects film was also the first colour film in film history. The colouring in this film was done by hand on each single image. Colouring black and white films can be seen as a kind of “branding” . It actually took quite a time until it was possible to automatically color films with a -more or less- full color spectrum. This was achieved in 1932 with the Three-strip Technicolor process in the animation “Flowers and Trees”. The first colored feature film in film history was then “Becky Sharp” of 1935 displaying the typical bright technicolor colors.

I was always wondering why films and images of cosmological events like e.g. about the big bang or supernovae look as if they were shot in technicolor, although they were digitally processed.

The reason for this is that the unvisible light spectrum (and the brightness) gets transferred into a visible spectrum via a human interference:
-> Where do those images come from